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Entrance of the exhibition Cibler le Vivant (2020) at Tignous Center for Contemporary Art.
Drawing by Luz Blanco displayed in the group exhibition at Tignous Center, reflecting fragility and organic memory.

Tignous Center for Contemporary Art, Montreuil, 2019
 

Artists:
Luz Blanco, Olga Karpinsky, Ludovic Bernhardt, Nathalie Noé Adam, Pascal Battus
Curator:

Samantha Beck


At a time when ecology is becoming a fundamental concern and a necessary point of action, this exhibition focuses on what is still there, on the fragile and transient forms of life that fill the world.
Taking living things as its target, transcribing them, magnifying them, revealing them or, on the contrary, concealing them, probing the vibrations of a pulsating world.
Taking the vulnerability of living beings as a cornerstone, questioning the possible relationships between life-giving subjects and destructive tools.
The tool as an extension of the living body helps to gain strength, precision, and productivity. This crutch can be both a support and a destructive tool. The dehumanization of weapons of war creates a distance between humans and living beings. The gap referred to here then becomes a “metaphorical void,” an interval conducive to the evocation, albeit ideal, of a tool that would help humans but would fade away in favor of artistic expression.


 

Soft Error 4,5 

2020

2 Drawings on Paper

75 x 220 cm paper roll

 

CIBLER LE VIVANT, 2020

" focused on living things "

Group Exhibition

January 17 - March 7, 2020

 

 

 

Installation view of Luz Blanco’s paper-based artwork exploring the relationship between humans, tools, and living matter.


For the exhibition Cibler le vivant (Targeting Life), the artists created micro-processes that develop like the cyclical phases of a living being's development. Namely, the capture of dust as the first and last instance of life, the materialization of an intangible body, consciousness and organic memory, and their programmed or unprogrammed end.
What, then, of the disappearance of these lives? Will we need to resort to support, to medicinal prostheses, to save their existence?
The working tool, the medium between the artist and the work, may be the solution we need to maintain life in its cycle and not break the natural momentum of this continuity.
Each artistic proposal will tend to sometimes magnify life, sometimes hide it, but always inexorably spread forms of life that are meant to be transmissible, contagious, epidemic.
1 Gordon Matta Clark, Interviews with Lisa Béar, Lutanie Editions, 2011

Luz Blanco’s drawing showing fine graphite texture and layered imagery symbolizing memory and disappearance.

News From Nowhere

2016

Drawing on paper 

3 pieces

Missing 3

2017

Drawing on paper 

150 x 85 cm

Exhibition view of Cibler le Vivant (2020) at Tignous Center, artworks by Luz Blanco among other contemporary artists focused on living beings.
Detail of Luz Blanco’s drawing from Missing.
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